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Monet probably painted the picture in one sitting. The window overlooked the port of Le Havre, on the English Channel in northern France, giving Monet a perfect view to paint the harbour at sunrise. Monet painted ‘Impression, Sunrise’ from the window of the Hôtel de l’Amirauté in Le Havre on 13 November 1872. Read on to learn more about the painting, Monet's inspiration, and how we have come to our valuation. Today, we estimate that it is worth $250-350 million. In terms of value, the painting was initially bought in 1874 for 800 francs and sold again in 1877 for a mere 210 francs. The painting was not recovered until it was traced to a Corsican apartment five years later. Its fame was increased when it was stolen in a gunpoint raid on 27 October 1985. The painting is now displayed at the Musée Marmottan Monet in Paris, and is one of our top 10 paintings of all time. Impression: Sunrise displays a number of key impressionist features: (i) it was painted quickly, probably in a single sitting, (ii) it uses broad, unblended brushstrokes and one very bold colour, and (iii) it depicts a modern scene. But the term caught on and was adopted by the group we now call the impressionists. The critics used the painting's name to coin the word 'impressionism', intended as an insult. "wallpaper in its early stages is more finished than that". Despite failing eyesight, Monet continued to paint almost until his death in 1926.Claude Monet's Impression: Sunrise, painted in November 1872 when Monet was 32, is one of the most famous and important impressionist works.Įxhibited by Monet at the 1874 first impressionist exhibition, the painting was panned by the critics. The many large studies for the Orangerie murals, as well as other unprecedented and unique works painted in the water garden between 19, were almost unknown until the 1950s but are now distributed throughout the major private collections and museums of the world. These were described in 1952 by the painter André Masson as "the Sistine Chapel of Impressionism." This crowning achievement of Monet's long, probing study of nature-his striving to render his impressions, as he said, "in the face of the most fugitive effects"-was not dedicated until after his death. This concept of embracing spatiality, new to the history of painting and only implicit in the first water-lily paintings, was expanded by 1925 into a cycle of huge murals to be installed in Paris in two 80-foot oval rooms in the Orangerie of the Tuileries. The first canvases of lilies, water, and the Japanese bridge were only about one yard square, but their unprecedented open composition, with the large blossoms and pads suspended as if in space, and the azure water in which clouds were reflected, implied an encompassing environment beyond the frame. By 1900 this unique product of Monet's imagination (for his Impressionism had become more subjective) was in itself a major work of environmental art-an exotic lotus land within which he was to meditate and paint for more than 20 years. Soon weeping willows, iris, and bamboo grew around a free-form pool, clusters of lily pads and blossoms floated on the quiet water, and a Japanese bridge closed the composition at one end. By diverting this stream, he began to construct a water-lily garden. In 1890 Monet had bought a strip of marshland across the road from his house and flower garden, through which flowed a tributary of the Epte. Sir John Everett Millais paintings (246).William McGregor Paxton Paintings (136).Sir Lawrence Alma-Tadema Paintings (245).Frederick Arthur Bridgman Paintings (208).John Frederick Herring Sr Paintings (852).John William Waterhouse Paintings (118).Frederick Carl Frieseke Paintings (185).Charles Courtney Curran Paintings (150).Cassius Marcellus Coolidge Paintings (30).Maurice Brazil Prendergast Paintings (349).
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Frederick Childe Hassam Paintings (808).Henri de Toulouse-Lautrec Paintings (279).